Program
11.23.2023
9:00-9:30 am | Welcome & Opening |
9:30-10:30 am | Film Music in Concert and Performance I |
Elizabeth Hunt (University of Liverpool) | Moving Image Music in Concert: A History |
Matt Lawson (Oxford Brookes University) | Film Music in Concert: Who Is It For? |
Coffee Break | |
11:00 am-12:00 pm | Film Music in Concert and Performance II |
Ingrid Bols (Independent Researcher) | From the Screen to the Concert Hall: Canonical Trajectories of Film Music in French and British Orchestral Canons |
Marida Rizzuti (University of Siena) | Film Music in Concert at the RAI Orchestra |
Lunch Break | |
1:30-2:30 pm | Silent Film |
Francesco Finocchiaro (State University of Milan) | Musikinflation! Art music in a “middle realm” between the cinema and the concert hall |
Anna Windisch (Independent Researcher) | Hugo Riesenfeld and the Motion Picture Palace as Music Appreciation Class |
Coffee Break | |
3:00-4:00 pm | Adaptations and Transfers I |
Yuji Numano (Toho Gakuen School of music) | Interpenetration of Film Music and Art Music: The Music of Toru Takemitsu |
Brent Yorgason (Brigham Young University) | From Screen to Stage: King Kong in Concert |
4:00-4:15 pm | Coffee Break |
4:15-5:15 | Lightning Talks & Poster Presentations |
Timur Sijaric (Hochschule Luzern) | “How About we Sing ‘Kyle’s Mom is a Stupid Bitch’ in D-Minor?” (A Different Kind of) Cartoon Music on Stage |
Kirill Smolkin (Heidelberg University) | ‘All the World’s a Concert Hall’: Music in Vocal Parallels by Rustam Khadamov |
Jörg Holzmann (Bern Academy of the Arts) | “Evoking the Old-World Violin Virtuoso”. How early film documents by former Auer students define America’s taste in classical music. |
7:30 pm | Conference Reception, City Hall Graz |
11.24.2023
9:00-10:30 am | Adaptations and Transfers II |
Stefan Schmidl (Austrian Academy of Sciences) | The Concert Hall in West German and Austrian Film Melodrama: Remarks on the Dramaturgy and Semantics of a Genre Convention |
Armando Ianniello (Rossini Conservatory & D’Annunzio University) | The Film Suite by Nino Rota. Stylistic-Formal Analysis of Some Case Studies |
Angelina Zhivova (University of Udine) | Giovanni Fusco and his music not only for screen |
Coffee Break | |
11:00-12:00 am | Composers-Conductors |
Emilio Audissino (Linnaeus University) | John Williams on the Podium |
Maurizio Corbella (State University of Milan) | For a Few Concerts More: Morricone’s Performing Persona and The Construction of a Modern Classic |
Lunch Break | |
1:30-2:30 pm | Roundtable + Discussion |
2:30-3:00 pm | Concluding Remarks |
3:30 pm | Excursion to Synchron Stage Vienna for Conference Participants |
Organisation
Institut für Musikwissenschaft
Mozartgasse 3, 8010 Graz
Contact person
- PD Dr. phil.
Ingeborg Zechner
MA
- Mag. Dr. phil.
Verena Sailer
-
Irene Biancardi